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Finally!!!

We are happy to announce immediate availability of GIMP 2.8 — a new stable version of GNU Image Manipulation Program that culminates 3.5 years of exciting work.

With this version we are introducing some long-anticipated features such as layer groups, on-canvas text editing, advanced brush dynamics and the much desired optional single-window mode. We also started applying other important changes to the user interface that bring us closer to matching the product vision.

For detailed information about changes since 2.6 please read the release notes. Source code is available for downloading from a plethora of mirrors, a build for Windows will soon be available, and we hope to see a build for Mac OS X released as well.

We’d like to thank everyone who participated in development of GIMP 2.8: programmers, translators, documentation writers (updated user manual is a work in progress), and testers. We also thank our user community for the dedication and support — we needed it more than ever.

Now that this version is finally released, we are grasping the future with both hands. Stay tuned: some really exciting news will follow.

The Underwater Project

The Underwater Project from Mark Tipple on Vimeo.

Collectors edition book available at www.theunderwaterproject.com/book

http://www.theunderwaterproject.com
http://www.facebook.com/theunderwaterproject
http://www.flickr.com/photos/marktipple
http://www.marktipple.com

“I’ve always been intrigued by what happens below the surface, like what’s happening where we can’t see.” While watching the slide-show on Mark’s laptop I’m amazed at the detail of this ‘other world’ that’s portrayed with his selection.

As an accomplished documentary photographer, in the past Mark has used the ocean as an escape for some solace away from his projects. Lately, while between projects he’s been “hanging out” below the surface trying to capture what happens while swimming on a slow summer’s day.

“Coming from a surfing background I used to wonder what happens when we’re duck-diving, like, what it looks like from a different angle than what we can see. Kinda hard to explain but it has always been on my mind. I used to surf with a small video camera and housing attached to my helmet, (pauses) it worked surprisingly well but my neck couldn’t take the impact and stress while trying to duck-dive and capture the right angle. Even tried to turn it back on myself to see what happens clearer but that, uh, sucked (laughs). I looked for a new approach to capture what I was seeking, which basically meant getting off the surfboard.”

Music: Together We Will Live Forever by Clint Mansell
http://www.myspace.com/clintmansell

Shot with a Canon 7D, Tokina 10-17 and SPL Waterhousing